• A CHURCH IN HARPUT ("Harput'ta Var Bir Kilise", MOURNING BECOMES THE WIDOW), trans. Asalet ERTEN, Journal of Translation Studies, Hacettepe University, December 2004.



• ACQUA (''Su- Water'', ONUNLA GÜZELDİM- BEAUTIFUL WITH HIM), trans: Eleanora CHIAVETTA,Storie d'aria, di terra, d'acqua, e di fuoco ( Stories of air, land, water and fire), (Ed. Eleanora Chiavetta, Silvana Fernandez), Rubbettino, 2007



• A WIND BLEW FROM YEMEN ("Yemen'den Bir Yel Esti", WOMEN ALSO EXIST), trans. Nilüfer MİZANOĞLU REDDY, Twenty Short Stories from Turkish Women Writers, Indiana University, Turkish Studies 8, Bloomington, Indiana, 1988.



• ALI LE DOCILE, ("Sessiz Ali", KADINLAR DA VARDIR), trans: Mustafa YALÇINER, Deux Piéces D'or, Onur Yayıncılık, 1991



• COMPAGNON de VIE - LIFE MATE ("Can Yoldaşı", MOURNING BECOMES THE WIDOW), trans. Ahmet SEL, Anka, 1, p. 26-34, Hiver- Winter, 1986/87.



• DAS LETZTE JAHRZEHNT DER NAVITAT - THE LAST DECADE OF INNOCENCE, ("Masumiyetin Son On Yılı"), trans. Beatrix CANER, www.turkishliterature.com.



• DAS LIED MEERES - THE SONG OF THE SEA, "LANETLİLER", trans, Christel SCHÜTTE, Literaturca Verlag, Frankfurt, 2004



• DER SCHWEIGSAME ALİ - THE QUIET ALİ ("Sessiz Ali", WOMEN ALSO EXIST), trans. Wolfgang RIEMANN, Çağdaş Türk Öyküleri -Zeit-genössische Türkische Erzahlungen, Deutscher Taschenbuch Verlag, München, 1990; Modern Türk Öyküleri / Moderne Türkische Erzahlungen, Deutscher Taschenbuch Verlag, April 2004



• "DREI GENERATIONEN"- THREE GENERATIONS (Üç Kuşak", LANETLİLER), trans:Monika DEMİREL, Unionsverlag, Zürich,2006
  
  



• EARTHLY BLISS ("Yeryüzü Mutluluğu", İNCİR AĞACININ ÖLÜMÜ - DEATH of a FIG TREE) , trans. by Nilüfer MİZANOĞLU REDDY.



• EEN TREINREIS - A TRAIN JOURNEY ( "Bir Tren Yolculuğu ", WOMEN ALSO EXIST), trans. Margreet DORLEYN, Stemmen uit de Schaduw (Verhalen van schrijfsters uit het Midden-Oosten, Turkije en Noord - Afrika), (ed: D. Poppinga, J. De Bakker, R. Van Leeuwen), Het Wereldvenster, De Houten, Nederlandse, 1986.



• ES WEHTE EIN WIND AUS JEMEN - A WIND BLEW FROM YEMEN ("Yemen'den Bir Yel Esti", WOMEN ALSO EXIST), trans. Gökhan ARMAN, Aufbruch aos dem Schweigen (Erzahlerinnen aus der Türkei), (ed: Hanne Egghardt, Ümit Günay), Buntbuch Verlag, Hamburg, 1984.



• DUST ("Toz", BEAUTIFUL WITH HIM), trans. Ruth CHRISTIE.



• IN HARPUT STEHT NOCHE EINE KIRCHE - THERE STANDS A CHURCH IN HARPUT ("Harput'da Var Bir Kilise", MOURNING BECOMES THE WIDOW) trans. Ünal KAYA, Dergi - Die Zeitschrift, 28, p. 24-28,1992.



• ROSES ENGRAVED IN MARBLE ("Taş Üstüne Gül Oyması", ROSES ENGRAVED IN MARBLE), trans. Erendiz ATASÜ, Elizabeth MASLEN, Cultural Horizons, Vol. I, (Festschrift in Honour of Talat S. Halman), (ed: Jane L. Warner), Syracuse University Press, New York, Yapı Kredi Yayınları, İstanbul, 2001.



• SOUS UN CIEL ETRANGER - UNDER A FOREIGN SKY ("Yabancı Bir Göğün Altında", MOURNING BECOMES THE WIDOW), trans. Mireille JACOTIN, Paroles Devoilees (Les Femmes Turqes Écrivent)(nouvelles choisies par Nedim Gürsel), Arcantere, Edition Unesco, Paris, 1993.



• THE MADNESS IN HER FEET ("Giselle'in Delirmiş Ayakları", EVANESSENCE), trans. Erendiz ATASÜ, Elizabeth MASLEN, Moving Worlds (A journal of transcultural writings), 2(1), p. 75-85, 2002.



• UNDER A FOREIGN SKY ("Yabancı Bir Göğün Altında", MOURNING BECOMES THE WIDOW), trans. Erendiz ATASÜ, The Turkish Pen, 1993/2, p. 31-39, August 1993; Pen International, XLIV (2), p. 91-96,1994



• WEN MADAME BUTTERFLY SICH WEIGERT ZU STERBEN - IF MME BUTTERFLY REFUSES TO DIE ("Madam Butterfly Ölmeyi Redederse", MOURNING BECOMES THE WIDOW), trans. Wolfgang RIEMANN, Dergi - Die Zeitschrift, 20, p. 14-16,1990.



• VİCDAN AND NEFİSE THE KEMALİST GIRLS OF CAMBRIDGE (extract from THE OTHER SIDE of THE MOUNTAIN), trans. Erendiz ATASÜ, Elizabeth MASLEN, The Turkish Pen, IV(13), p. 63-72, July 1999.

Novels:

• The Other Side of The Mountain (DAĞIN ÖTEKİ YÜZÜ), trans. Erendiz Atasü, Elizabeth Maslen, Milet Ltd, London, 2000

• ON EIPO STHAN KLIMAKTHRIO (BİR YAŞ DÖNÜMÜ RÜYASI - MIDLIFE DREAM, trans. into GREEK BY ANTHİ KARRA, DARDANOS, ATHENS, 2005

Back to Top